Nothing may inspire euphony - making quite like the reverence of dropping one ’s laptop computer in the toilet . Earlier this calendar month I had the welcome opportunity to give a guest talk at the medicine department at Santa Clara University , not far in the south of San Francisco , where I live . It was the previous in a series of guest talks I ’ve been give , in addition to ones at Stanford ’s CCRMA facility and , via Skype , at Duke . This invitation came from the gifted musician Bruno Ruviaro , a professor at Santa Clara who hail from São Paulo , Brazil .
Half my public lecture to his class was about my new Aphex Twin Bible in the 33 1/3 serial , and the other one-half was a shop revolve around Disquiet Junto projects — weekly theme command prompt that embrace creative constraint . I brought two such projects to the shop , both derived from past Disquiet Junto endeavors . As reproduced above , these were “ Room Tone Song ” and “ Wind Chime Drum Machine , ” the latter inspired by the track “ White Blur I ” on Aphex Twin ’s album Selected Ambient Works Volume II . Here are four examples of scholar work that leave from the class meeting , including a “ tip chime ” piece by Chris Rotas and three songs made from elbow room tones by Sarah Bamberger , Heidi Hagenlocher , and Kristene Richardson . You may hear common elements in the room - tincture pieces , since some of the students do work in tandem when source the audio , in such position as the construction ’s elevator and its bathroom :
More on Ruviaro atscu.eduandbrunoruviaro.com .

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